Eternal Sharing Literature

Source : Wikipedia

Jayasi was a sufi poet. The Islamic mysticism is called 'Sufism' and mystics 'Sufis'. Their philosophy is called 'Tasawuff' also. The epic 'Padmavat' is unparalleled in its presenting sufi mythology and sufi faith, composed in Hizari 947, christian year 1540, and unsecond of its type.

The lovely touching love story of a Hindu lover and beloved has been made the basis dipped in historical and imaginative mixture of sensation. The daughter of King Gandharvasen, the king of Singhal Dweep is the most beautiful girl of this world.Her parrot 'Hiraman' is very clever and learned bird. The father of Padmavati decides to kill it when the bird is ready to make search for a good husband, but is rescued on request. One day it flies, It is captured, sold and again bought by King Ratnasen, the king of Chittore. 

Malik Muhammad Jayasi, who resided in Jayas, established a flow of love-linked cult (Premashrayi Dhara) in 'Nirgun Brahmopasana' selecting the medium of the story of 'Padmawati' and 'Ratnasen'. By subjugation (meeting) and seperation- 'Sanyoga' and 'Viyoga', he dictated the lession of Gyan and Yoga. Accepting this very basic conception Jayasi in his 'Padmavat' writes indicating lusty worldly love and spiritual unworldly love in 'Masanavi Shaili'. The object of Jayasi is to find his most beloved God by love. This love-current, this stream of love in his poetry, is the chief aim of Jayasi, and that he found.

Kabir Das

Kabir Das is the forseer poet of middle age Hindi Literature. He is not only a poet but a social reformer saint also. His unique unparellel personality presented the revolution in the society. So, he was the greatest revolutionary of his age.The Pandits and Mullas, both sood against him and criticised his pinching proclaimations, but Kabir Das remained unturned stone, and said what he felt. He said :

Vidyapati is newly incarnated ‘Jayadev’ that echoed the culture, art and philosophy of Mithila. ‘Naval Jayadev’, ‘Kavi Shekhar’, ‘Rasik-Shiromani’, ‘Sukavi-Kanth har’, ‘Raj pandit’, Nav-Kavishekhar’, ‘Kaviratna’, Kaviranjan’ like several adjectives and subnames decorated this excellent poet. In his local tongue and tone he expanded the sweetness of village-lore and songs, and Padaas. He established the lyrical poetic tradition through his sweet songs of devotion and love, and proved that the local language has a world abroad -

Vidyapati took birth in ‘Vispi’ village of Mithila in a Brahmin family nearly in year 1375 of Christe Calender. His father ‘Ganapati Thakur’ the raj pandit and poet in the court of Ganesh Ray, the king of Mithila, took his son with him in the court of the king. Much possibility is assumed that Vidyapati too pleased the lovers of poetry like his father from his childhood.

‘Prithviraj Raso’is a glory-singing epic, consisting the discription of the bravery, love, marriage and several wars of Maharaj Prithviraj. In this great epic there are two and fifty thousand pages. one million Chhandas and fifty nine ‘Samayaas’ . Adiparva, Dilli-Killi katha, Akhet Kavir, Nahar Rai, Dillidaan, Shashivritta, Sanyogita-Samant, Varun-Katha, Chitrarekh, Kaimas Vadh, Hansawati Vyaha etc. are the main stories in this vast creation. Still today, the scholars keep different opinions about its being authentic, and they belong in four groups.

The first group accepts this poetical work authentic and with proof it grants it the real contemporary creation of Prithviraj. In this favour belong Shyam Sundar Das, Mathura Prasad Dikshit, Pt. Mohanlal Vishnulal Paandya, Mishra Bandhu and Motilal Menaria.